#5 CELINE DION - MEMORY
This here video is up to par with all our requirements. The video features a young and passionate Celine lying on the some illuminated plexiglass floor to begin the song…or is it a hungover werewolf? Celine delivers all her usual isms with a microphone to match her werewolf costume. As if Cats wasn’t bad enough…
I’ve decided that it is time for a countdown consisting of the most awful, most uncomfortable and strangest performances of musical theatre pieces that have ever occurred. But not just the countless untalented schmucks that clutter youtube, but performances by stars and legends. Performances where these stars and legends just…well….fucked up.
Can we observe his hat.
Can we observe when this story is set.
Can we observe that Francis Sullivan once again changed his name, this time to Clyde.
This is the truth.
(Source: laura-osnes)
I don’t play Draw Something. I play Draw Something: Musical Theatre Edition.
I’m proud. And dorky.
Just noticed that Marvin Hamlisch / Ed Kleban uses this technique where everybody says a certain phrase twice right in a row…in almost every single song.
“God, I hope I get it. I hope I get.”
“How many people does he need? How many people does he need?”
“How many boys how many girls? How many boys how many -“
“Look at all the people. At all the people”
“I really need this job, dear God I need this job”
“God, I really blew it, I really blew it”
“Now I’ll never make it. I’ll never make it”
“God, I think I’ve got it. I think I’ve got it”
“I can do that, I can do that”
“That’s what he said, that’s what he said.”
“Thought she was twenty-two, though she was twenty-two”
“It wasn’t paradise, it wasn’t paradise”
“When I grew up, when I grew up”
“Though I was eight or nine, though I was eight or nine”
“At the ballet, at the ballet”
“4’ 10”, 4’ 10”“
“Feel the motion, feel the motion”
“Hear the wind rush, hear the wind rush”
“And I tried, I tried”
“The kids called me nothing, they called me nothing.”
“Send me guidance, send me guidance”
“I’d be hard, I’d be hard”
“Gimme the ball, gimme the ball”
“Scholarship to college, scholarship to college”
“That ain’t it kid, that ain’t it kid.”
“Tits and ass, yes tits and ass”
“What I did for love, what I did for love”
Love me some broadway humor.
A little more of Sutton because, She is a queen hehe
(Source: lovebroadway, via nikolasalexander)
Cory Monteith once said of Glee, “It’s as if High School Musical was punched in the stomach and had its lunch money stolen.” If that’s the case, then Smashed punched Glee in the stomach but then looked at Glee and said, “Except we already have real talent and original music so we don’t need to steal your auto tune, bad writing, or Top 40 score.
“Just mark it for me.”
“I don’t know how to do that.”
